Location Manager
The primary role of a location manager is to be responsible for the researching of the best possible location for the film shoot. They look into how much each place will cost, the contracts made. They will then prevent their finding to the produces and anyone else involved in the decision making. They will work for long hours as they oversee all accepts of the shooting. They are overseen by the Producer , Director and Production Designer. The role of a location manager also includes working with the owner of each location on a number of different issues. This include; the cost and terms of the hire, access to crew, decreasing of noise and what official permissions are going to be needed. As a location manager, once the filming has begun then it is there job to be charge of all the parts of shooting in the different locations. As well as making sure that every location is given back to the owner in the way of a satisfactory condition after each of the shoots. On much larger films, then they may be responsible for ever the Assistant Location Mangers and/or Location Scouts. Each of these has the job of supporting the Location Manager in doing their job. To be a good Location Manager then they need the following skills; initiative, strong imagination to be able to visualise and find potential locations that will meet the directors standards. As well as excellent organisational skills, the ability to negotiate to gain permission to film in a given location. As for the qualifications; there are no formal qualifications that are required. However having experience in the industry is of very much importance.
Camera Operator
have a varied job depending on the type of production. They will cover all types of outdoor and studio-based programmes. They may operator a few cameras to capture images which they have been told to receive from the director who will be in a set location.
The First Assistant is the closest person to the director. They have the responsibility for a number of things meaning the director is free to focus on the creative process. During the pre-production they work closely with the director to make up the script into shot by shot. Once the production is being filmed they have the responsibly to make sure it all goes smoothy.
Production Managers can be employed by the production company or they can be freelance. They are the ones responsible of any of the organisation aspects as they work with the producers of the show to come up with an idea of the directors visions.
A ADR Editor will work for long hours as they ensure that any wanted dialogue on the production soundtracks is 1. placed correctly and 2. at the best quality possible.
The Production Assistants is said to be the foot soldiers of the production team. They do important but small jobs around the location. Their duties include things like office administration to crowd control. They are usually freelance and over worked and unpaid. This is a good job as it is very varied offening a good level role into the film industry.
Script Editors help to strengthen a screenplay by helping the screenwriters identify any problems they may have.
Prop Makers have the job of making any props that are unable be to brought or hired for use. They will work on them own or as part of a team within the properties departments using a wide mix of materials, techniques and tools to make the required props. They will sometimes adapt objects for various reasons for example some they move or light up.
Graphic designer are responsible for providing the T.V/Film with any graphic item like newspapers, magazines and letters etc. They will make items that will reflect on the story and the majority of not a genuine article. A designer have a very creative job working on a range of T.V programmes and films.
A Foley Editor is the one who is responsible for any sounds which are added during the editing of the T.V programme or film. To describe a foley would usually be to say any sound which is related to any movement including in the sequence it is used as a means to add any sound which is needed in the show e.g when a car crashes into a wall. The work for a foley editor is long usually being freelanced or sometimes they are employed by Audio Post Production Houses.
A Grip is an individual who is responsible for maintaining any equipment needed to work along side the camera including tripods and dollies etc. A crucial part of a Grips job is to ensure that all film artifacts is maintained with the camera moving as seamless as possible. A grips work is said to have long physically demanding but really rewarding work. They work with the DoP or the camera operator working on both commercials and feature length T.V and films.
A Set Dresser has the job to arrange any objects needed for the set before any filming can begin for example furniture. They follow their orders from a leadman, a set decorator and a production designer.
A Focus Puller aka 1st assistant camera is one of the members of the T.V/film crew. They have the responsibility is to maintain the camera focus on the object or action when it is being recorded.